Welcome to the latest in my series of author interviews from talented writers around the world. Today I am pleased to introduce the gifted author, Mike Brooks, creator of the Science Fiction / Fantasy novels, Dark Deeds, Dark Run and Dark Sky. Mike is traditionally published although experienced a few setbacks before securing the writers equivalent of the holy grail. It has been interesting to find out his take on the positives and negatives associated with his journey.
1. Can you tell us a little bit about yourself?
Gladly! I’m Mike Brooks, I’m 36 years old, I was born in Ipswich, Suffolk but came to Nottingham for university and stayed here when I realised it was far more interesting. I’m married, we have two cats and two snakes, I’m disabled (hearing loss), and bisexual.
2. What do you do when you are not writing?
I like to go walking: the Peak District is just over an hour away in the car, which is lovely. I also play guitar and sing in a punk band (no, that’s unrelated to the hearing loss), play tabletop wargames, and DJ wherever anyone will tolerate me.
3. Do you have a day job as well?
I do, although I have managed to drop my hours from five days a week to four as a result of income from writing, which is very welcome. I’ve worked for a homelessness charity in Nottingham since 2004; I used to be a support worker in hostels, but these days I’m a Housing Officer so I deal more with buildings, repairs, and legal issues like tenancy agreements and anti-social behaviour.
4. When did you first start writing and when did you finish your first book?
I started writing about as soon as I could actually form letters. I won a prize for Best Long Story at primary school (the prize was the book Fog Lane School & The Great Racing Car Disaster, I can remember it clearly), so I had the intent from early on. However, I spent my teens and much of my twenties messing around jumping from one idea to the next and never getting anywhere. At the end of 2008 I sat down and told myself that I was going to pick one and either finish it, or admit that I simply couldn’t finish a novel. It took me just over a year, was stupidly long and probably not very good, but I managed it, and it went from there.
5. How did you choose the genre you write in and where do you get your ideas?
I write science-fiction and fantasy, and their various sub-genres, and I chose it because that’s what I like to read and watch. Working with homelessness gives me all I can stomach of the “real world”, so I value escapism. As for where I get my ideas, I can give no better answer than “everywhere” – so many things can spark off an idea for a setting or an event or a character, from a news article to a piece of art to a documentary. The trick is taking something and putting it into your work as something new and interesting, that fits your own setting.
6. Do you ever experience writer’s block?
Not yet. Not really, anyway. Sometimes words don’t come easily, but I keep putting them down and it works through to a part of the story that’s far easier to write, and then sometimes I can go back and tidy up when things are flowing more easily. I mean, some days it just won’t work and I’ll give up and go play a computer game or something, but that’s isolated: I’ll get up the next day and it’ll be back to business as usual.
7. Do you work with an outline, or just write?
I’ll usually start writing with a vague idea and see how things develop. If I feel that what I’m writing has legs, I’ll generally then sit down and start planning out much more fully. However, I always discover new things as I write, as new ideas come up or I realise connections that I hadn’t made until that point, and the plot links together in new and interesting ways. I don’t think I’d be able to write out a plot and stick to it with no divergence.
8. Is there any particular author or book that influenced you in any way either growing up or as an adult?
“Influenced” is difficult. I love Terry Pratchett, but I wouldn’t say my writing style is particularly influenced by his. However, I do very much admire how he used the Discworld series to write whatever he wanted to write, but framed with that consistency. I maintain that science-fiction and fantasy aren’t really genres so much as settings: you can’t write a “science-fiction novel” or a “fantasy novel” unless it’s really conceptual, and incredibly tightly focused on the science or the fantasy element. I view it more as a way of saying “this novel is a certain type of story, but set in a place where physics/biology/chemistry, or our abilities to manipulate them, differ in some way from what we understand to be true”.
As an example, my Keiko series of novels are what I call “grimy space-opera”, and are certainly science-fiction, but if you read them you’ll see other genres there too. The first two are essentially thrillers: in Dark Run, the crew of the Keiko (a spaceship) are blackmailed and framed, and have to outwit a powerful adversary to survive. In Dark Sky, they end up trapped in a subterranean mining city during a rebellion and accidentally end up on opposite sides. On the other hand, the third one, Dark Deeds, is very much a heist movie, but on another planet (with a sub-plot that’s a gangster movie).
9. Can you tell us about your challenges in getting your first book published?
I’d written an urban fantasy novel and managed to get an agent. He liked my writing, and liked the world I’d created, but told me that we wouldn’t be able to sell the novel I had. I went away and wrote a new novel, with the same characters and in the same world, and honed that. Then we took it to publishers. One publisher was very interested and it got to the final yes-or-no meeting… and the answer was no. It wasn’t that it wasn’t good enough, they said, it was because they’d just taken on three urban fantasy novels and didn’t want to take a chance on any more until they saw how well those did. But let us know what you write next, they said. So it was back to the drawing board.
I think some people would have been crushed by getting so close but not succeeding, but luckily my mind worked more on the basis that I would have got a contract had I only got there a little sooner, so I wasn’t going to give up now. My agent asked me what I was going to write next, since we had definite interest from a publisher. I thought about it and said that I had several different ideas I could write about, I just wasn’t sure what to concentrate on. My agent talked to the publisher about what they might be interested in and came back with a list of broad things they were looking for. One of them matched up pretty well with an idea that had been kicking around in my head, so I got to work and, with not much more than a title, a vague concept and two pre-existing characters, started writing what would become Dark Run. The urban fantasy I’d been working on for years never found a home – the space opera I blasted out in six months got published.
10. If you had to go back and do it all over, is there any aspect of your novel or getting it published that you would change?
I think there probably are, there always will be, but I’ve found that I’m good at saying “You know what; that’ll do” and just leaving a novel be, rather than tinkering endlessly. I would have liked to introduce more and stronger LGBTQ themes in my first two novels, but at that point I wasn’t sure what sort of reaction I was going to get from my publisher, and wanted to get my feet under the table, as it were, before I started pushing boundaries. These days I’ve found my writing voice far more, and I’m happier to throw in whatever I want to be there.
11. How do you market your work? What avenues have you found to work best for your genre?
I don’t do a great deal of marketing myself, since I’m lucky enough to have my original work published by two of the “Big 5” (imprints of Ebury and Simon & Schuster) so any marketing I could do would be dwarfed by their reach. Similarly, I’ve started writing for Games Workshop’s Black Library and their connection with their readers is far more efficient than anything I could do. However, I can track sales of my novels (to varying degrees of accuracy) and it is interesting how certain events can spike sales. As an example, a website review that compared my Keiko novels favourably to the Firefly TV series got cross-posted to a Firefly community (possibly on Reddit, I think) and I saw my book sales jump by about five times the week after!
12. Have you written a book you love that you have not been able to get published?
I do like my urban fantasy, although looking back I think it’s probably good it didn’t get published. I’d still like to publish that, and do the series I had planned, but I’d certainly be rewriting it. I’ve developed as a writer but also as a human since I wrote it, and I have a greater understanding of various issues now that I perhaps handled a bit clumsily back then.
13. Can you tell us about your upcoming or recently published book?
Dark Deeds came out at the end of last year, and (as I mentioned above) is essentially a heist movie on another planet. The crew of the Keiko need to pull off a big theft to save one of their number, which sets up a lot of scams, treachery and, it has to be said, tragedy.
I’ve also got my first novella for Black Library coming out towards the end of this year (I know the release date but I don’t think I’m allowed to make it public yet). It’s called Wanted: Dead and is set in the world of Necromunda, their recently revamped and re-released tabletop skirmish game. This was incredibly exciting as Necromunda was my favourite game as a teenager (and to be fair, I’m a big fan of the new version too), and the dark, gritty-but-futuristic feel of it (I always described it as “Wild West meets prohibition-era gangs meets Blade Runner”) was a big influence on the tone I wanted to evoke for the Keiko series.
14. Is anything in your book based on real life experiences or purely all imagination?
Very little of the Keiko series is based on my real life experiences as I’ve never flown a spaceship, shot a gun or pulled a heist. Similarly, Wanted: Dead isn’t based on my experiences as I’ve never been a lesbian gang member fighting for survival. However, I like to think that my characters are realistic and relatable, and – by and large – that’s the feedback that I get. And I do try to do research where I can. Some parts are science-fiction, and the fiction is stronger than the science. However, for the parts that do have some relationship to real-world stuff, I like to make sure that it’s as accurate as I can get it.
15. What project are you working on now?
I’m currently writing my first full-length novel for Black Library, about which I’m contractually obliged to say nothing other that it’s in the Warhammer 40,000 part of their universe, and touches on an area of the background that I don’t think has really been explored much yet. I’m also working on a fantasy novel of my own.
16. Will you have a new book coming out soon?
As I said above, Wanted: Dead is coming out towards the end of this year. Dark Run should also be coming out in French at some point before too long, although I’m not yet sure when. It came out in German in May this year, and it was a real thrill to be published in another language. I also have another Black Library short story called A Common Ground coming out in issue 1 of the relaunched Inferno! magazine, which is another thrill as I grew up reading that in its former incarnation, and I’m in there with some fantastic authors.
17. Are there certain characters you would like to go back to, or is there a theme or idea you’d love to work with?
I find my writing littered with characters that I introduce as bit-parts and which suddenly get their own personality and I find hugely interesting; which can be distracting, but is far better than feeling that they’re flat and lifeless. I could happily write about several of them. As for themes and ideas I’d love to work with, the fantasy novel I’m working on at the moment is doing just that. It features conflicts, but the main themes are around learning tolerance and understanding, and appreciating the diversity of others, and it’s given me a place to play around with my own understandings of sexuality and gender, as well as religion and belief systems.
18. What has been the toughest criticism given to you as an author? What has been the best compliment?
I have quite rigid mental processes, so criticism can be hard to take – my immediate reaction is that the other person must be wrong, because this makes sense to me, so why doesn’t it make sense to them? I’ve learned to work around that though, and to appreciate that other people have different perspectives that are just as valid to them as mine are for me, and crucially, might be shared by more people than share mine. I think I did get annoyed by one reader review which said that my characters were two-dimensional and the dialogue wooden, as I genuinely feel those areas are one of my strong points as a writer. However, they’re perfectly entitled to their opinion, and it seems that it’s not one shared by many others, from what I’ve seen.
The best compliment is probably a tie between “Great fun… Golden Age chic!” from Stephen Baxter and “If Firefly and The Expanse had a love-child” from BookRiot. Both of which ended up as pull quotes on the covers of my books, because my editors are no fools.
19. Do you have any advice to give to aspiring writers?
Don’t be a dick. Apart from that, pick and choose whatever advice seems to work for you. Any piece of advice from anywhere will be contradicted by someone else. People will say ‘write what you love, don’t write what you think will get you published’, but I loved my urban fantasy and it didn’t get me published, and then I wrote Dark Run because I thought it would get me published, and it did. I mean, I enjoyed writing it – the Keiko books are a blast, tremendous fun to write – but I only picked that idea because I thought it would work. So you know, do what feels right.
20. Is there anything that you would like to say to your readers and fans?
I am honestly, truly touched that you were and/or are prepared to take a chance and spend money on stories I make up in my head. Thank you.
Please join me in thanking Mike for his open and candid responses regarding the publishing industry and for sharing his experiences and journey as a writer. If you would like to ask any further questions, please either use the facilities available below or contact Mike direct via the following links.
Please show your appreciation by checking out his work on Amazon:
Dark Run – https://www.amazon.co.uk/Dark-Run-Keiko-Mike-Brooks/dp/0091956641/ref=sr_1_1?ie=UTF8&qid=1530916179&sr=8-1&keywords=dark+run+mike+brooks
Dark Sky – https://www.amazon.co.uk/Dark-Sky-Keiko-Mike-Brooks/dp/009195665X/ref=sr_1_1?s=books&ie=UTF8&qid=1530916325&sr=1-1&keywords=dark+sky+mike+brooks
Dark Deeds – https://www.amazon.co.uk/Dark-Deeds-Keiko-Mike-Brooks/dp/1534405445/ref=sr_1_1?s=books&ie=UTF8&qid=1530916342&sr=1-1&keywords=dark+deeds+mike+brooks
Inferno! Issue #1 – https://www.amazon.co.uk/Inferno-1-David-Annandale/dp/1784967335/ref=sr_1_2?s=books&ie=UTF8&qid=1530916371&sr=1-2&keywords=inferno%21+games+workshop